I’m looking for the simplest way to create complexity, without having to make or build anything.
It’s not about using sculptural ideas on architecture, it’s more like making sculpture through it. So it seems there’s always been a constant relationship in my work between architecture and sculpture. The dialectic is based on my dual tendency of seeking the point of equilibrium, the balance between the static subject and the context in a progression from line to plane, which is sort of dynamic volume.

Out of time

You talkin’ me?

Face to face


The white ghost

The devil’s wheel



In my eyes

Somewhere else


Marathon man

Into my arms

Dark lady


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