ARTS

I’m looking for the simplest way to create complexity, without having to make or build anything. It’s not about using sculptural ideas on architecture, it’s more like making sculpture through it. So it seems there’s always been a constant relationship in my work between architecture and sculpture. The dialectic is based on my dual tendency of seeking the point of equilibrium, the balance between the static subject and the context in a progression from line to plane, which is sort of dynamic volume.

The mask

The marble warrior

You talkin' me

Face to face

Dark lady

Somewhere else

Boxer at Rest

The white ghostt

A vision in the night

Galata

Out of time #2

Spotlight

Fresh-cut

Marathon man

The devil's wheel

In my eyes

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