I’m looking for the simplest way to create complexity, without having to make or build anything. It’s not about using sculptural ideas on architecture, it’s more like making sculpture through it. So it seems there’s always been a constant relationship in my work between architecture and sculpture. The dialectic is based on my dual tendency of seeking the point of equilibrium, the balance between the static subject and the context in a progression from line to plane, which is sort of dynamic volume.

The mask

Dark lady

Out of time #2



Long view

Boxer at rest

You talkin' me

Face to face

The time was lost

In my eyes

Marathon man

Somewhere else

The marble warrior



Tears go down

The black shape

The white ghost

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